Books

Mother Queens and Princely Sons: Rogue Madonnas in the Age of Shakespeare (2012)

Holy Estates: Marriage and Monarchy in Shakespeare and His Contemporaries (2004)

Shaping Shakespeare for Performance: The Bear Stage (2015)

Shakespeare and the Middle Ages (2009)

The Medieval Hero on Screen: Representations from Beowulf to Buffy (2003)
Scholarly Articles
“Staging Epilepsy in Othello,” in Stage Matters: Props, Bodies, and Space in Shake spearean Performance, ed. Annalisa Castaldo and Rhonda Knight. Madison, NJ: Fairleigh Dickinson University Press, 2018.
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“A Rhetoric of Belches” in Shaping Shakespeare: The Bear Stage, Essays on Shakespeare in Performance, ed. Catherine Loomis and Sid Ray. Madison, NJ: Fairleigh Dickinson University Press, 2015.
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“Shticky Shakespeare: Testing Action as Eloquence” in Shakespeare Expressed, ed. Kathryn M. Moncrief and Kathryn R. McPherson. Hackensack, NJ: Fairleigh Dickinson University Press, 2013.
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“Finding Gruoch: The Hidden Genealogy of Lady Macbeth in Text and Cinematic Performance” in Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings, ed. Martha W. Driver and Sid Ray. McFarland & Co., Inc., 2009.
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“'So troubled with the mother': The Politics of Pregnancy in The Duchess of Malfi” in Performing Maternity in Early Modern England, ed. Kathryn M. Moncrief and Kathryn R. McPherson. London: Ashgate Press, 2007.
“Rape and Violence toward Women.” Encyclopedia of Women in the Renaissance, ed. Diana Robin, Anne Larsen, and Carole Levin. Santa Barbara, CA: ABC-CLIO, 2007.
Marlow(e)'s Africa: Postcolonial Queenship in Conrad’s 'Heart of Darkness' and Marlowe’s Dido, Queen of Carthage.” Conradiana: A Journal of Joseph Conrad Studies 38.2 (2006).
"'No head eminent above the rest': Female Authority in Othello and The Tempest,” in High and Mighty Queens of Early Modern England: Realties and Representations. Ed. Carole Levine, Debra Barrett-Graves, and Jo Eldridge Carney. Houndmills: Palgrave Press, 2003: 133-150.
"'Those Whom God Hath Joined Together': Bondage Metaphors and Marital Advice in Early Modern England," in Domestic Arrangements in Early Modern England. Ed. Kari Boyd McBride. Pittsburgh: Duquesne University Press, 2002: 15-47.
“Hunks, History and Homophobia: Masculinity Politics in Braveheart and Edward II.” Film and History 29:3-4 (1999): 22-31.
“‘Rape, I fear, was root of thy annoy’: The Politics of Consent in Titus Andronicus.” Shakespeare Quarterly 49:1 (1998): 22-39.
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