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Books

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Mother Queens and Princely Sons: Rogue Madonnas in the Age of Shakespeare (2012)

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Holy Estates: Marriage and Monarchy in Shakespeare and His Contemporaries (2004)

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Shaping Shakespeare for Performance: The Bear Stage (2015)

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Shakespeare and the Middle Ages (2009)

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The Medieval Hero on Screen: Representations from Beowulf to Buffy (2003)

Scholarly Articles

“Staging Epilepsy in Othello,” in Stage Matters: Props, Bodies, and Space in Shake spearean Performance, ed. Annalisa Castaldo and Rhonda Knight. Madison, NJ: Fairleigh Dickinson University Press, 2018. 

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“A Rhetoric of Belches” in Shaping Shakespeare: The Bear Stage, Essays on Shakespeare in Performance, ed. Catherine Loomis and Sid Ray. Madison, NJ: Fairleigh Dickinson University Press, 2015.

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“Shticky Shakespeare: Testing Action as Eloquence” in Shakespeare Expressed, ed. Kathryn M. Moncrief and Kathryn R. McPherson. Hackensack, NJ: Fairleigh Dickinson University Press, 2013.

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“Finding Gruoch:  The Hidden Genealogy of Lady Macbeth in Text and Cinematic Performance” in Shakespeare and the Middle Ages: Essays on the Performance and Adaptation of the Plays with Medieval Sources or Settings, ed. Martha W. Driver and Sid Ray.  McFarland & Co., Inc., 2009.

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“'So troubled with the mother':  The Politics of Pregnancy in The Duchess of Malfi” in Performing Maternity in Early Modern England, ed. Kathryn M. Moncrief and Kathryn R. McPherson.  London:  Ashgate Press, 2007.

 

“Rape and Violence toward Women.”  Encyclopedia of Women in the Renaissance, ed. Diana Robin, Anne Larsen, and Carole Levin.  Santa Barbara, CA: ABC-CLIO, 2007.

 

Marlow(e)'s Africa:  Postcolonial Queenship in Conrad’s 'Heart of Darkness' and Marlowe’s Dido, Queen of Carthage.”  Conradiana:  A Journal of Joseph Conrad Studies 38.2 (2006). 

 

"'No head eminent above the rest':  Female Authority in Othello and The Tempest,” in High and Mighty Queens of Early Modern England:  Realties and Representations.  Ed. Carole Levine, Debra Barrett-Graves, and Jo Eldridge Carney.  Houndmills:  Palgrave Press, 2003:  133-150.

 

"'Those Whom God Hath Joined Together':  Bondage Metaphors and Marital Advice in Early Modern England," in Domestic Arrangements in Early Modern England.  Ed. Kari Boyd McBride.  Pittsburgh: Duquesne University Press, 2002:  15-47.

 

“Hunks, History and Homophobia:  Masculinity Politics in Braveheart and Edward II.” Film and History 29:3-4 (1999):  22-31.

 

“‘Rape, I fear, was root of thy annoy’:  The Politics of Consent in Titus Andronicus.” Shakespeare Quarterly 49:1 (1998):  22-39.

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Dramaturgy

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